About the luthier

Karel Dedain, born in 1976, has been dedicated to guitar making since 1998 and became active as a professional luthier in 2006. Based in Ghent, Belgium, he builds a small number of guitars each year, working exclusively on pre ordered instruments. His approach is rooted in the Spanish guitar making tradition and supported by carefully selected woods that are dried and prepared in his own workshop.

Dedain trained at the Centre for Musical Instrument Building in Puurs, Belgium, under Walter Verreydt from 1998 to 2005, and later became an instructor of classical guitar making at the same institution. Alongside his own models, he has devoted considerable attention to the study and construction of replicas inspired by historical concert guitars, including instruments by Torres, García, Arias, Santos Hernández, and Esteso. His research into these makers has played an important role in shaping his understanding of proportion, response, decoration, and historical sound aesthetics.

His interest in the work of Vicente Arias is especially relevant for this instrument. Dedain has studied Arias guitars in depth and contributed to Alberto Martinez’s book on the maker, a connection that gives this guitar a clear historical and scholarly context.

About the guitar

This 2024 Karel Dedain is a traditional guitar inspired by the sound world and decorative language of Vicente Arias. It is the fourth instrument of this limited style made by Dedain, and it reflects a careful balance between historical reference and contemporary precision. The spruce top and satinwood back and sides create a voice that is warm, intimate, and lightly coloured, with a natural clarity that suits the character of nineteenth century Spanish guitars.

The guitar responds with ease and has a charming old world quality, supported by an air body resonance between E and F. This lower resonance gives the instrument a relaxed depth and a gentle darkness in the bass, while the trebles remain clear, vocal, and finely shaped. Rather than projecting with modern force, it speaks with nuance, immediacy, and a refined sense of decay, making it especially appealing for players who value colour, articulation, and historical atmosphere.

The decorative work is an important part of the instrument’s identity. The rosette and binding show Dedain’s precision and patience, while the satinwood gives the guitar a distinctive visual presence, combining a pale golden hue with a dense and elegant figure. The result is an instrument that feels closely connected to historical Spanish models while retaining the stability and refinement of a newly built contemporary guitar.

Condition

The guitar is in very good condition. A hairline crack on the top, located to the left of the bridge, has been carefully repaired and reinforced with small cleats. There are also two short cracks on the back, running transverse to the grain and parallel to each other, which have been glued and do not require cleat reinforcement. The finish has been refreshed by the original maker and shows virtually no playing marks.

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